8.16.2007

It's Everything That Is Connected And Beautiful


I find most art books to be utterly uninteresting and unengaging. I think it's the skill with which the art is photographed and reproduced on the page that puts me off. It's glossy, slick and perfect and it almost always bears no resemblance to what the artist created. There really is no substitute for being in the same physical space as a work of art, for sharing the same air and light as this thing. It becomes more real for me and I feel a real sense of communion that I never find from a reproduced image on a page.

Art in a book is separated from reality and the limits of the physical world. It becomes eternal and perfect, and I hate it. I hate it for the same reason that I am utterly bored by Superman. Because it is so removed, so unassailable and so fundamentally alien. It bores me.

But when I can see a piece of art, see the light reflected off of it with my own eyes, that is something very different. I never feel jaded when I stand face to face with a work of art, even the really shitty ones. Ultimately, I find beauty in the flaws. When I can see the grain of a canvas, or the irregular swirl in a brushstroke, or an errant drop of paint that landed on the picture in defiance of the artist's wishes, I see myself, and my flaws, and I find it very reassuring. We live in a flawed, beautiful world and seeing these works or art, and all of their cracks and blemishes, reminds me of just how beautiful this imperfect world can be.

There's also an impermanence to these objects. And they are, after all, simply objects. Paint, cloth, wood, bronze, clay, etc. These things begin as unremarkable pieces of stuff, and through human industry and invention become transcendent. That's fucking beautiful. But they remain things, existing in our physical world, and all things are impermanent. Things break down, they disappear. Each moment they are on display, each moment they exist, brings them one moment closer to their inevitable end. I work in an archive and the one thing I've picked up is that everything we try to preserve will one day perish from this earth, no matter what we do. Lock it up in a sealed, UV-protected vault at the Louvre all you want, but someday we will have to live in a world without the Mona Lisa. That's fucking beautiful. That's life. It's sad, and terrible and tragic and beautiful. It's perhaps the best metaphor for the human condition that I have ever found, and I'm constantly looking.

I just wanted you all to remember that I do have a soul as you listen to the hate-filled piece of shit I recorded at Othello's this week. And to all my friends who stuck around for the whole show, I apologize for throwing such a weird and embarrassing hissy. And thanks for coming out anyway, I hope you had a good time.

Winston Smith's Five Minute Hate

And go to the Oklahoma City Art Museum, dammit.

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8.07.2007

I Should Be Grateful, I Suppose, And Compare You To A Summer's Rose.


One of the most appealing aspects of religion is the way that shitty events get explained away as "God's will," or "the Universe trying to teach us a lesson," or whatever.

It's kinda true, though. Well, I'm not going to go on record either way on the whole is-He-or-isn't-He (or She or It or Them) question, but I have found that shitty events can be made to serve us. Buddhist thought, for instance, finds reasons to be grateful for failure, persecution and violent tragedy, and not just because those experiences help to burn away bad Karma (or sin, if you will). They help individuals to reflect on themselves, their past and the Universe in general. Pretty neat, huh? Most of your non-Odin-based religions have similar tenets, and I'm honestly torn from day to day as to whether or not the lemonade is real or just a means to keep chumps under control.

I got a chance to test it out last week, though. It was Wednesday, and I was on my way to the Loony Bin for the evening show. It's my first time hosting a normal Loony Bin show, and I want it to be great. Part of my ritual, when I can do so, is to feast upon a falafel and hummus from Gyro's Etc. in the shopping center across Rockwell from the Loony Bin. Best falafel ever.

Seriously.

Only sometimes they have trouble with my debit card, and I'm left with no way to pay for said delicious falafel, as I usually don't carry cash (note to muggers: I'm not worth it!). So, I decide to stop at a nearby ATM to get some cash. Now, I'm not going to name the financial institution, so let's just say that their name rhymes with "CHASE RANK." I pull up to their outdoor ATM, put my card into the green blinking card slot, and wait. For those of you curious about what blinking green lights mean, let just tell you, they don't mean "happy to serve you, sir!" The actual meaning is closer to "I'm hungry! Give me your fucking debit card now, asshole! Mmm... yummy debit card! It's mine now, fucker! HA HA HA HA HA!" Some of that is a little idiomatic, but you get the drift.

I am now sans card. I have already established I have no cash. So, I'm left with my checkbook. I might as well be paying people in fucking Confederate Dollars, because the thing has an address from two homes and one city ago. So, great. Thanks CHASE RANK! You guys "rock!"

By the way, if a machine grabs your card and won't give it back, that shit is GONE! No way you will get it back, it gets shredded immediately.

So, I drive to Wal-Mart, where I bank ('cause I'm a high-fuckin' roller!) to cash a check so I can, you know, pay for food and gasoline. I order a new card while I'm there, expecting that I'll have it by the end of the week. No, 5 to 7 days I am told. No, wait, 5 to 7 BUSINESS days. Are you kidding me? Are you fucking kidding me?! How hard is it to stamp out a damn card and put it in the mail? Are these things hand-crafted by a one-eyed master back in the Ozarks somewhere? Like, it's just him, a whittlin' knife and a big 'ol block o' plastic, perhaps? Because why else in the world would it take one of the biggest banks in the area a fucking week and a half to replace one lousy DEBIT CARD?!

But I digress.

I get the cash, I get the information, and more importantly, I get a nice dose of hate. It pushes out the nervous, the anxious, the oh-boy-I-gotta-do-good-tonight vibe in my head and replaces it with icy hot anger. I turned in a great performance that night, and like a good little method actor I had that nugget of hate at my disposal for the rest of the week, just smoldering in my back pocket where my debit card used to be.

So thanks, CHASE RANK ATM, you malfunctioning piece of shit. I hope you get struck by lightning.

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4.17.2007

We Come In, We Go Out The Same Way: Alone.


I had a dream this morning. I dreamt that I went back to school at OCU to finish my Master's. Why? I have no idea. I was dreaming, all right? I moved into a dorm/academic hall, into a teeny tiny dorm room with two other people. They just happened to be Lucy Davis and Columbus Short from "Studio 60 On The Sunset Strip." Cool roommates, right? The whole thing felt like my freshman year of college. In the dream, I looked around, felt a strange sense of circuity, and said to myself "well, we come in, we go out the same way."

Then all hell broke loose.

This dark thing, some kind of bipedal monster, appeared and started slashing people's throats. Blood, screaming, dead and dying falling all around, decomposing before my eyes. I've had the image in my head all day. I do have some control over my dreams, though, and I saved Lucy (well, not me, but I changed the narrative so that she lived). She hid in a mascot's outfit until the thing had passed. I can't remember if it killed me or not.

I awoke for the first time in my adult life on the verge of screaming. But I was raised Presbyterian, so I kept my emotions under control, like a Calvinist Vulcan. I shook it off and went on with my day.

About five hours later I heard what had happened in Virginia.

I sit here now, staring at the screen trying to wrap my mind around this horrible tragedy and pull it out of my brain, but I can't. So many thoughts, reactions, images and words swim through my mind right now that I just can't. I can't fucking do it.

All I can think is that anyone who wags their tongue today about the Second Amendment to the Constitution of the United States of America is an asshole, either way. This isn't about gun ownership and whether or not it should be legal/regulated/restricted/whatever. That discussion will come later, and I'm sure it will be ugly.

This story isn't about the law. It is about a monster that lived outside the law, that grew inside of a man and was left unchecked for too long. It's about the innocent people of Virginia Tech, now awash in blood and tears, and how they will continue to face down this brutal act long after the specters of today have faded from our minds and the next tragedy seizes our country by the throat.

But that isn't the end of the story. We've seen this cycle before. The pain, the grief, it pales in comparison to the resilience of humanity found in those who have been tested by such sorrow and pain. I know that the people of Virginia will overcome this, and go on to find hope and peace. I know this story will end with hope.

I can't think of anything else to say, except that I'm sorry.

God bless.

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1.25.2007

Bandages Have Advantages, Too.


Tonight was a good night at the Loony Bin for me. I didn't go first, for one thing. And I kept things simple. Fatty Arbuckle, Buster Keaton and Dog Phone were all notably absent. The most challenging jokes were the ones that drew the slowest and least sure response from the audience, which was not surprising. For the most part the jokes were simple, personal, and came out of real pain. I guess that makes sense. Whatever.

I'm just glad my pain could bring momentary happiness to a roomful of strangers that probably wouldn't talk to me if we met at a party.

And I want to give a special thanks to my ex for being cool with these jokes. I wouldn't be telling them otherwise.

Click here to listen!

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All original materials copyright Seth Joseph